All About Max for Live Packs | PitchLoop 89
All About Max for Live Packs | PitchLoop 89 Created in collaboration with Robert Henke, this Ableton 11 Max for Live device is based on an early digital effects processor. The outcome is jittery glitch effects, delayed digital shimmers, and outlandish vibrato. Watch guest host Lillian Frances breakdown this unique device for sound design and beat making. Video Tutorial su_youtube_advanced url=”https://youtu.be/CeLxElsRTPc” width=”400″ height=”200″ autohide=”yes” rel=”no” fs=”no” modestbranding=”yes” For more on Max for Live Packs check out our All About Max for Live Packs Playlist. Subscribe for more awesome tutorials! divider style=”clear” About Lillian Frances Lillian Frances is a sonic collager hailing from Sacramento, CA. Frances attended Beat Lab in 2015 and 2019 and has since taught Ableton courses at The Library of MusicLandria in Sacramento. Her unique alt-pop style has been compared to Lorde, Sylvan Esso, and Billie Eilish. Her 2018 EP, Timeism, was praised by NPR’s Heavy …
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Workshop Recap – House/Techno Production Techniques with Tanya Leigh
Women Only Workshop – House/Techno Production Techniques with Tanya Leigh On July 18th, Beat Lab joined forces with The Athena Collective and hosted a free house/techno production workshop featuring special guest Tanya Leigh. Tanya Leigh has been involved in Minneapolis’s underground dance scene since 1998. She is also half of the techno DJ duo Complicit (Travis Norman is the other half). They are best known for their high-energy performances, which embrace the underground techno scene. Beyond her DJ skills, Tanya knows how to play the piano and flute. She also has a BA in music and a diploma in Audio Engineering. For the first half of the workshop, Tanya shared with us her house music production workflow in Ableton. She started by using Ableton’s 909 drum rack to build a kick loop in the session view at 125 bpm. She then duplicated the clip and layered another drum element. She …
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