All posts by Tadeh Kennedy

Celemony Melodyne 4 – Advanced Sound Editing

Celemony Melodyne 4 – Advanced Sound Editing   The long awaited Melodyne 4 has been released with its most extensive update in the history of its existence. Packed with new features, enhanced elements, and a modernized facelift, the Melodyne 4 is a whole new sort of monster, awarded with a ProTools Editors Choice Award. A new sound editor analyzes and enhances your sound by working off of note recognition technologies, which adapt to the timbre and overtones of your sound, rather than shaping them. You are also able to play with multitrack note editing, which allows you to dive into an unlimited amount of tracks and edit any given note, which is extremely useful when you have a number of tracks. Since the Melodyne 4 is semi-suited for live recording, a brand new tempo technology adapts to live tempo as oppose to setting a static beat.   su_youtube_advanced url=”https://www.youtube.com/watch?v=6PaDDG6-DjA” showinfo=”no” …

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Misa NSC-32 – A Massive Sequencer

Misa NSC-32 – A Massive Sequencer   The Misa NSC-32 is a ridiculously big MIDI sequencer, that allows musicians and producers to manipulate and create melodic riffs, bass lines, drum sequences and much more, in a fluid flow of expression. The NSC-32 is compatible with samplers, synthesizers and a variety of different DAWS, through MIDI or USB.     This massive piece of equipment is essentially a giant step sequencer, packed with 768 button grid, which is used as the live visual of your sequence, or pattern. There are 16 control buttons that allow you to sift through a variety of actions, like looping, octave drops and bumps, banks selections, play and stop buttons, etc., along with 6 faders that are MIDI assignable. The 768 buttons can be loaded with preset sequences, making the entire grid into one big soundbank. The video below gives a good look at the basics …

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Ableton 1.0 Review (!!)

Ableton 1.0 Review (!!)   In the world and era of DAWs, frequent updates, the ever inventive market, and constant discoveries of sound, change the face of our favorite software we’ve come to know and love. It’s hard to recall or imagine how they came in original form. Today we’re going to throwback our personal favorite DAW to when it was a little baby. Check out the link below to see a review of Ableton v1.1, where it received a 10 out of 10 score by audiomac.net. When reading about the groundbreaking innovations Ableton brought to the table, it’s easy to catch yourself daydreaming about where software and electronic music will go and what can change the ever-changing game. Click the photo below for a vintage review!    

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K-Mix – MIDI Controller & Programmable Audio Interface/Mixer

K-Mix – MIDI Controller & Programmable Audio Interface/Mixer   Kieth McMillen has recently released the K-Mix, pitched as a the unbreakable mixer, control pad, and audio interface. Loaded with 8 inputs and 10 outputs, with sample rates at 44.1kHz, 48kHz, 88.2kHz, 96kHz, the K-Mix makes for a durable, all in one piece of hardware. At first glance, you will notice the similarities to Kieth McMillens breakthrough controller, the QuNeo. Working with similar, ultra sensitive mixing and rotary pads, the K-Mix hints at familiarity with a punch of power. Beyond the use as an ordinary controller, the K-Mix can be used in three ways, which you could swap between, an audio interface, a programmable mixer and a not-so-ordinary control pad. The audio interface feature is equipped with transparent uPre Amps that provide a clean, low noise pre amp. The K-Mixer mirrors your audio input with a colorfully lit display for an easy detection …

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Santuri Safari – East African Live Pack

Santuri Safari – East African Live Pack   It’s an absolute delight to see and hear such ambitious projects as this one. A brand new instrument rack has been developed by Ableton’s own Emile Hookenhout, (a.k.a Behr,) that captures the excitement and authenticity of a revitalized East Africa. Attempting to stick as true as possible to the cultural roots of the instruments and sounds recorded, Hookenhout came up with the Santuri Safari Instrument Pack. East Africa is going through a refreshing look at their regions music, revitalizing it into something totally new. Musicians from Kenya, Tanzania and Uganda are working to move the regions sounds towards the global trend of electronics. Though with limited access to recording studios and equipment, the emergence of labels and collectives such as Santuri, who is taking it upon themselves to represent and put the region on a global stage, and third parties like Hookenhout, are allowing the …

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J74 Progression- Musical Composition Plugin

J74 Progression- Musical Composition Plugin   The J74 Progression is a Max for Live tool that enhances your musical composition and speeds up your workflow. Packed with tools like chord, scale, and harmony finders, along with a multidimensional arpeggiator and a powerful chord progression generator, the J74 is a bang for the buck tool that will push the theory behind your production. To highlight the capability of the J74 Progression, we’ll look at a couple key features it offers: Chord/Scale Detection: Pretty straightforward, the chord/scale detection detects what chord or scale you are playing in real time. It’s a pretty handy device to throw in while producing, adding a layer of depth to your productions theory. The detection is in real time too, so you can utilize this feature during a live performance as well. Arpeggiator: The arpeggiator feature works within the main component of the J74 Progression. You have the …

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